Wow. To be honest, I could sum up the entirety of the show I attended Wednesday night in that one word. But when it comes to posting here I’m not one to be brief, so you’re damn right if you’re thinking I’m gonna drag this out as much as possible. However, for those of you lacking an attention span and/or interest in good music, I’ve included bolded summaries at the beginning of each description. You’re welcome.
So I can now add Soilwork, Killswitch Engage, and As I Lay Dying to the extremely short list of bands I’ve seen. I can’t say As I Lay Dying was too impressive, but the other two most certainly were. Then again, there’s just something about seeing two bands you’ve been in love with for 3 or 4 years live for the first time…
The show took place in Missoula, which is only a 4 hour drive. Considering most bands of this caliber don’t play anywhere closer than Seattle, that’s an excellent deal (and being from the middle of nowhere, 4 hours is nothing). Basically, this was an on-the-way stop for the three bands: They’re all on Ozzfest, which was heading to Seattle the next day, so they opted to drop by Montana on the way from Minnesota. A college town in the middle of summer, you’d think nobody would show up… Wrong.
The doors opened at 6:45 pm and my brother and I were some of the first in, meaning we made it down to the third row with no problems at all. It wasn’t PACKED, but given the above, it was pretty full. The venue was a theater that holds about 800 (including a balcony), had fans in the ceiling (ensuring that I wasn’t dripping sweat by the end of the show), and there were seats. Since I’m not into moshing, that didn’t bother me at all… Just meant that I didn’t have to be on my feet for 2 & 1/2 hours straight.
On that note, there WAS moshing (and stage diving; more on that later), contrary to information on the ticket. It was the 10 feet between the stage and the first row of seats, granted, but it still got going pretty good. There were points during the KsE set that it was nearly all the way around me, which was momentarily worrying.
Onto the important parts…
Soilwork:

Amazing. For the uninitiated, up until about 2002 Soilwork was one of the best melodic death metal bands. Then they went in different direction, abandoning their more thrash-y influences almost entirely. I personally love both sounds because I’m not a whiny elitist bitch, but that’s just me.
They kicked off with Stabbing The Drama (one of my favorite songs of theirs) and promptly went into Bastard Chain, which was a thoroughly pleasant surprise. I would’ve preferred something like Needlefeast or Neurotica Rampage (I doubt they’d go any further back than A Predator’s Portrait, but I would kill to hear Sadistic Lullaby live), but it was great. The rest of their set included One With The Flies, Nerve, As We Speak, Rejection Role, and Follow The Hollow. All great songs, though Speed introduced “Rejection Role” as if it were something incredible. It’s a good enough song, but pales in comparison to the rest (considering FNF is their weakest album).
All around, great performance by them. Their sound quality was easily the best, though the keyboards were a bit low in volume. They also hid Sven (keyboardist) in the back… Not that there was much room for the guy anywhere else, but still, most of the time Frenning was standing in front of him. Anyways, I hope they come back to the northwest headlining in the future, unlikely as that seems, because that short of a short set didn’t do much justice to their six album history.
As I Lay Dying

Meh. I’ll be honest, I was not impressed. From what I know they’re fairly revered in the metalcore community, but on stage they seemed really generic. The lead vocals weren’t very interesting, with there being only 3 songs where they briefly used clean vocals (94 Hours, Confined, and Forever; not coincidentally, those were their strongest songs), and the lead guitar was pretty much drowned out. Which was a shame, because I could occasionally hear some really nice sounding parts… Oh well. I wasn’t there for them.
Killswitch Engage

Fucking insane. This describes both the band and the crowd during the set, actually. Killswitch Engage is infamous for Alive Or Just Breathing, an album that’s hailed as nothing short of amazing by TONS of critics and fans alike. Metalcore at it’s finest. I would’ve loved to see their former vocalist (Jesse Leach) live, but Howard Jones is just as spectacular. He’s got the necessary range, that’s for damn sure…
I have to mention, above all else, Adam Dutkiewicz (one of their two guitarists). Aside from the respect he gets and deserves for being an amazing musician and producer, he’s hilarious to watch. Through most of their set he was acting like a complete dork: Either striking poses, blowing kisses to the crowd, harassing other members of the band, dawning a top-hat, or mocking the stage divers. All of this is a bit funnier if you actually know what he looks like I suppose, and there’s plenty of pictures at the link below, but above all it showed that they were having a great time the whole night.
In terms of sound quality, it got muddy at times and the vocals were occasionally drowned out, plus the crowd was going berserk most of their set anyways, so that didn’t help. But the band made up for any problems with sheer energy, including a couple times where Howard let the crowd sing several of the song’s choruses (with good results).
I can’t remember what they opened with, but I’m pretty sure it was A Bid Farewell (or something else from End Of Heartache). They played a very nice balance of material from AoJB and EOH, including Self Revolution, Numbered Days (two of my favorites), Take This Oath (with Adam filling in for Jesse’s guest vocals on the track, with complete grace), and all their singles including When Darkness Falls. I would’ve liked to hear Temple From the Within and To Sons Of Man just because I’m really interested in hearing Howard do them, but overall it was a damn good set.
The really great part of the night came halfway through their set. After a fan had made his way on stage and put up a fight getting off (probably drunk), Howard announced “Alright, if you guys wanna stage dive, that’s cool. Just make sure nobody gets hurt. And NOBODY gets fucking kicked outta here, alright?”
Insert chaos.
From there on, every 5 seconds somebody was jumping off stage, including people that were a good 50 lbs. too heavy to be doing any sort of diving, period. It was complete madness, with half a dozen security guards and staff members on stage at times trying to keep things in order. Howard missed a couple lines here and there, since he couldn’t help but laugh at a few of the people diving… Some did back flips, one asshole mooned the crowd (cheap pun, fully intended), one idiot held up a Nonpoint shirt for some reason before diving off, and some girl licked Howard’s face before jumping. He seemed a bit disgusted, though he didn’t get a look at her (which really wouldn’t have helped). On a side note: I personally don’t understand girls stage diving in skimpy outfits, given the almost entirely male mosh pit they’re jumping into. But there were quite a few doing it, so I guess they enjoy the anonymous groping?
Howard and Adam on the stage diving after about three songs:
Adam: “This has to be, by far, some of the worst stage diving I’ve ever seen in my entire life! But, BUT, it’s also the most fun I’ve had on the tour so far.”
Howard: “Yeah, so you guys may be failing, but you’re failing with style.”
The crowd managed to chant loud enough to get KsE back onstage for an encore (again, I can’t remember what song, but it may have been Breathe Life), and they closed the night to a deafening roar of approval from the crowd. My ears were still kinda ringing 24 hours later…
As with the Blindside show, we waited for things to clear out then headed back inside (Jed, I thank you for telling me about this incredibly obvious way to go about meeting band members; If I weren’t so deprived, I may have thought of it myself). I missed him on the way out the first time, but Peter Wichers (Soilwork’s guitarist) was standing by their booth signing things and such. I got a picture with him and my brother got a poster signed. It’s funny, I get to meet somebody from one of my favorite bands (and whose abilities I really admire despite not playing guitar) and there’s a dozen things I want to ask them (and there were few people around at that point so I had ample opportunity), but all I could blurt out was “Wow, I love you guys”. In hindsight, I should’ve asked him about the alleged DVD coming out, above all else.
Alas, he was all that ventured out of the back to meet the fans (should’ve asked if I could maybe meet the rest of the guys; for some reason I think that might’ve been possible), so it was pretty much straight home from there.
I took a grand total of 109 photos while the show was going on, but the really amazing thing is I didn’t notice at all that I was taking so many. Which was nice; wanting to take good pictures of something has a tendency of ruining the experience itself. Overall they turned out decent (uploaded 62), but most are a tad blurry or have ghosting, and only a handful turned out perfect. The lighting was good and we were close to the stage, so that helped a lot.
Pictures:
Soilwork, As I Lay Dying, & Killswitch Engage at The Wilma Theater In Missoula.
I also took some video clips that aren’t nearly as bad as the ones I took at Blindside’s show. Granted the audio is still complete garbage, but visually it’s pretty cool. It’s all Soilwork and Killswitch Engage, and I managed to get some of the chaos from the latter’s set captured.
Video:
Soilwork & Killswitch Engage (6.66 megs; the size number is out of sheer chance, btw)
And that’s all there is. I’m sure most of you enjoyed scrolling to the bottom of this post in 3 seconds to avoid straining yourself reading it. Don’t worry, I’ve got some more rants coming up very soon.